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‘Somehow’

‘Somehow’

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Cover art ‘Enough’ by Katherine Sheers ©

Somehow shows us a voice and a spirit that insists – at times defiantly, other times tenderly, always fiercely – on the magnitude and gravities of desire’ – Sumita Chakraborty

 

A highly accomplished set of poems which consider the ways grief, guilt, and loss attached themselves to both the family and the natural world of restoration.  What Calcutt does within these pages is acknowledge our ability to be resilient…At times devastating, at other times buoyant, but always totally human.’ – Anthony Anaxagorou 

‘I’m still getting there’ Refugee Week, 2020

A poem by many voices on the theme of ‘home’, for Refugee Week, 2020.

Words and ideas donated by: Christina Thatcher, Cheryl Lockheart, Roz Goddard, Jasmine Gardosi, Mark Antony Owen, K.S. Moore, Sam Frankie Fox, John Hawkhead, Adam Ai,  Rick Dove, Sue Wood, Jhilmil Breckenridge, Casey Bailey, Djuna Barnes, Shaun Hill, Marvin Thompson, Efi Antoniou, Victoria Richards, Johnny Autin, Shelley Eva Haden, Hannah Storm, Katria Naomi, Jean Atkin, Jason Jackson, Sophie Herxheimer, Naaman Brown, Gill McEvoy, Laura McKee, Sarah Westcott, Rishi Dastidar, Shan Bansil, Andrew Morton, Kathy Gee, Lucy Jeynes, Gail Saul, Katie Whitmore (Katie Hook), Tara Skurtu, Bo Mandeville. Kathy Gee. Edited, by Helen Calcutt. 

A poem by many voices on the theme of ‘home’, for Refugee Week, 2020. Donated to the charity Refugee Rescue. 

I’m still getting there

I dream of open doors. 
Curled up cats. A blue 
china bowl. 
Perhaps I’ve 
forgotten 
what home really is?
A castle where unhappiness 
or happiness 
lives, 
     a   bed        
                    I... 
love,
unzip, 
sleep,
where the heart might 
grow, and go,
beyond words
I long for it.   
The slow train west 
into honeyed light,
respite...
and I wonder,      
is home a moment 
in time?  Toast, 
ashes, earth 
– a kiss. Freshly baked 
bread, the valleys
and their flowers? 
Perhaps it's feeling
not a space. Safety or 
freedom, 
or something we’ve lost? 
Perhaps it’s a concept 
I have to work on?  
Where ideas 
proliferate 
on a good-natured 
floor; in a kitchen, or
on a table-top. 
A mantelpiece that gathers 
dust.
Where my daydreams 
shine, and there’s a key. 
And I can open and close
and come and go...
Last night 
I walked across the Indian Ocean.
I walked barefoot in the freezing 
cold  –
sleeping under the cries of 
Roller birds, 
dreaming of words 
such as ‘scarf’, and ‘coat.  
You might tell me 
home is a ‘nest’. Or a rubik's 
cube we're all trying 
to work out;
as I forever approach 
its finite distance, forever 
journey 
towards a finite smile.
What if home 
is simply 
wherever I stand? 
What if home, is 
wherever I stand, with love? 
Wherever others stand with me? 
You have asked me:
 ‘what is home?’
I don't know. I’m still getting there.

About Refugee Rescue

Refugee Rescue is the last remaining Search and Rescue Boat Working off the North Shore of Lesvos. We have a skilled crew on call 24/7 and ready to respond to any distress call at sea. They work directly one sea and land to attend to the immediate needs of those refugees making the crossing into Europe.

To support Refugee rescue:

Visit their website, and engage with their stories, artwork, and testimonials: https://www.refugeerescue.org/

Donate, and keep Mo Chara afloat: https://www.refugeerescue.org/donate

About the process

I couldn’t take every single sentence organically and fit it together. This isn’t how editing works! Although this is how the process began; even with our own, single-voiced poems, we re-align, mesh, swap, mould, take in, put back…it was the same process here, only, I was very aware that I was working with other people’s words and sentiments, and therefore had to stay true to them.

I did this, either by keeping the line intact, or, bringing two similar sentiments or images together into one place (perhaps using another word from another sentence that fitted to combine them) and moulding them together.

There were also some lines or words that simply didn’t fit, but, whose ideas are still reflected here, in a way that serves the sound and energy of the poem. Don’t be disheartened if your donated sentenced doesn’t appear exactly as written here: know that I deliberated carefully over each and every line, and that the texture of your words remains within the overall fabric of the poem.

Thank you once again to absolutely everyone who has donated their time and creativity to this project. It’s been a blessing.

Take care, and stay in touch. Hopefully we’ll all see each other soon.

Helen x

Three new poems

Helen’s poems are breath taking in their ability to both move and intrigue the reader. She writes with a seamless sensuality and fluency; creating a new and vital vocabulary for the emotional, sexual and physical nuances of life. Her poetry captures the beauty of intimacy, confronts the taboo and, although touching on the darker elements of human existence, beats with a beautiful, lyrical and hopeful heart. 

Thank you to the wonderful editors Mairead Warren and Caitlin Miller for selecting three new poems, ‘The Wound’, ‘Pink’ and ‘Hope’ to be featured in the March 2020 issue of Irisi Magazine.

You can read the poems here.

Making a cup of tea

If you’re missing your regular writing prompts, or are feeling creatively ‘stuck’ and need some help getting going again, here’s something that might help!

Making a cup of tea / Writing prompt

  1. Take hot water, milk, sugar, and tea. Now make a cup of it, but don’t. Write a poem about making tea instead.
  2. Think about which order do you add the ingredients to you lovely cup. Do you put the milk and sugar in first, or second? Or does the hot water go in first, then the milk, sugar? Do you take either? What tea do you use? Loose? A tea bag? How long do you stir the drink? If at all? What is your cup like? Smooth, ceramic. Old, chipped? How does it feel to touch? Describe all of this, in as much detail as possible. And be kind to yourself. Give yourself the time you need to complete this part of the task.
  3. Remember, to focus on the details in the actions as you write, and the mood of the work. Are the actions mindful, careful – or somewhat rushed? Try not to impose either one onto the writing. See what comes through naturally.
  4. And, what happens next after you have made your cup of tea? It could be absolutely anything…
  5. Tip: If you like, you can write as a free-hand, descriptive block of writing, and then edit into it later, making sure to put your initial energy into the details of the actions as they occur, first.

Happy writing!

Love

Helen xxx